Rembrandt van Rijn's mastery over light and dark has been lionized for centuries. In the last 30 or 40 years, though, the Baroque master has been scrutinized unlike any other artist in the history of art, primarily by the Rembrandt Research Project, a group of "art cops" who have roamed the globe "demoting" artworks and reattributing them to other artists.
...In the 1980s the Rembrandt Research Project, founded during the Rembrandt tri...
AMSTERDAM, Netherlands -- Rembrandt's earliest self-portraits show a curly haired, full-cheeked young man of 23, full of confidence, clad in dress above his station, literally wearing his ambition on his sleeve. By the time we see his haggard face 40 years later -- with dozens of portraits in between -- we feel as though we know him like an uncle.
... van de Wetering, head of the Rembrandt Research Project and widely considered the world's foremost...
AMSTERDAM, Netherlands - Rembrandt's earliest self portraits show a curly haired, full-cheeked young man of 23, full of confidence, clad in dress above his station, literally wearing his ambition on his sleeve. By the time we see his haggard face 40 years later - with dozens of portraits in between - we feel as though we know him like an uncle.
... van de Wetering, head of the Rembrandt Research Project and widely considered the world's foremost...
AMSTERDAM, Netherlands -- The auction house thought the portrait was a 17th-century Rembrandt knockoff, and valued it at just $3,100. But the British buyer who paid about 1,500 times more than that apparently knew what he was doing. Experts have confirmed "Rembrandt Laughing" -- bought for a bargain price of $4.5 million at an English auction house in October -- is a self-portrait by the Dutch master himself, depicted with his head tilted back in easygoing laughter.
... van de Wetering, head of the Rembrandt Research Project and an authority on the Dutch master. "The...
Critical Essay
... Dutch government voted millions for a Rembrandt Research Project in Amsterdam to establish a canon...
...(13) . Visualizing Disappearance: Rembrandt's First Version of The Supper at Emmaus . Before d..., the devout figures prove to be a projection, whether real or symbolic, of the beholder. As suc... Study in the Visual Arts, and the Getty Research Center. He teaches Renaissance and Baroque art at ...
Aesthetic philosophers, theorizing literary critics and editors, and reflective commentators on the restoration of paintings, buildings, and monuments have repeatedly shown that the concept of the work is anything but self-evident. The present essay examines major attempts to conceptualize this problematic area since the 1930s, before proposing a solution based on the semiotics of C. S. Peirce and Theodor Adorno's negative dialectics that will help clarify thinking when practices of preservation and conservation are being determined. The language and thinking come ultimately from scholarly editorial activity; the working assumption is that, with suitable adjustments for the medium, it will apply to other historically orientated forms of cultural conservation.
... of its fourth volume of A Corpus of Rembrandt Paintings, the Rembrandt Research Project, which h...
...The Rembrandt Research Project in Amsterdam, once threatened with loss of...
... been implicated in the worst kind of projections, dubious investments, and mediocre commentary. Sch..., the acting head of the Rembrandt Research Project, who had previously "deattributed" the pai...
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