Notice is hereby given of the following determinations: Pursuant to the authority vested in me by the Act of October 19, 1965 (79 Stat. 985; 22 U.S.C. 2459), Executive Order 12047 of March 27, 1978, the Foreign Affairs Reform and Restructuring Act of 1998 (112 Stat. 2681, et seq.; 22 U.S.C. 6501 note, et seq.), Delegation of Authority No. 234 of October 1, 1999, and Delegation of Authority No. 236-3 of August 28, 2000 (and, as appropriate, Delegation of Authority No. 257 of April 15, 2003), I hereby determine that the objects to be included in the exhibition ``Cindy Sherman,'' imported from abroad for temporary exhibition within the United States, are of cultural significance. The objects are imported pursuant to loan agreements with the foreign owners or custodians. I also determine th...
Above: an excerpt from Paul H-O's show, "Gallery Beat," which serves as a teaser for his documentary, "Guest of Cindy Sherman. Cindy Sherman has never been one to step in front of the camera - - unless it's her own. The Buffalo-bred artist who rose to art world eminence after decamping to New York City in the mid-70s has long been the subject of intense fascination and adulation in the art world, not to mention endless volumes of art criticism. As protective of her privacy and personal time as Madonna, Sherman has remained happily enigmatic for the bulk of her life and career.
Tracking the beginnings of Paul H-0's dishy cable-access show, Gallery Beat, the film depicts the high-flying New York art world of the late '80s and '90s, including theyear-1990-that Cindy Sherman broke big.
On paper, the two were a terrible match: A reclusive avant-garde artiste paired with the genially schlubby co-host of a public-access television show, who frankly admits he loves hanging with the contemporary art crowd.
where to find it www.nytimes.com: Five interior designers' picks from the newspaper's photo archives, from $199. www.kimcuringa.artspan.com www.ireneandreadis.artspan.com www.20x200.com: Jen Bekman's art collective with photograph prices starting at $20 for an 8-by-10 print. www.allposters.com: Good selection from renowned photogs such as Andre Kertesz and Cindy Sherman www.art.com: Vintage portraits including Darwin, Edward VIII, and old sporting photos One of the hottest trends in home decor is hanging photographic art, which can make a big impact without costing a lot.
[MEAGAN RIDLEY]'s small paintings feel indebted to the narrative photographic self-portraits of Cindy Sherman. Ridley's painstakingly rendered oils set forth stylized images of the artist or her sister (fellow artist [KATIE RIDLEY]) in poses that at least loosely quote paintings from specific art-historical periods. "It's the Little Things" features a bare-breasted Ridley staring off to one side in a pose that seem to share DNA with the contorted bodies of Egon Schiele, set against an abstract patterned environment of floating egg shapes that could be lifted from Gustav Klimt. "Hey Stupid" can be read as a literalized version of Modigliani's simplified character studies. Ridley goes for unflattering, strange facial expressions in her subjects. The character in "Hey Stupid" registers a g...
Photography aficionados, who could not help but be disappointed by the scant attention given to the medium in this year's Whitney Biennial, can take comfort in a spring season dominated by important, intelligent, and immensely popular photo shows. When new exhibitions by Cindy Sherman, Andreas Gursky, and Vik Muniz opened on the same night recently, the streets of Chelsea were thronged and buzzing.
In case you haven't been paying attention, photography is dead. Or at least this is what various exhibitions and articles have proclaimed as of late. Well-known critic Peter Plagens posed the question, "Is photography dead?" as the tide to a Newsweek article this past December, in which he lamented the manipulated pixelization of the "last art form to be tethered to realism. The unquestioned realism in photography mat Plagens refers to in Newsweek was dealt a mortal blow back in the '80s, prior to the advent of Photoshop. It was then that artists like Cindy Sherman and Sherrie Levine-followed in the '90s by the sly Philip-Lorca diCorcia and the playful Kahn and Selesnick-openly toyed with the seemingly quaint notion that a photograph portrayed an unmanipulated "reality" that was "out t...
In bringing together such a large selection of works by women from across the globe, we hope that current and future viewers will make different connections than we did. [...] despite the fact that our version of the exhibition was organized into four sections, we encourage subsequent venues, viewers, and scholars to emphasize other relationships among the works and to create different associations and connections, of which there are an infinitude.
... the tradition of the feminist photographers Cindy Sherman and Yasumasa Morimura, Sawada's is a compl...
Photographer casts shadow in his after-dark works Robert Kawika Sheer likes to think of himself as a male Cindy Sherman.
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