Sólo al inicio del siglo pasado, con la desaparición de los Estados Pontificios y la conversión del castillo en museo, se retiraron las capas de yeso y otros materiales que cubrían los frescos y se repararon otros elementos de la sala, que en lo sucesivo acogería parte de la colección de pintura. La primera de estas habitaciones recibe su nombre por el gusto clásico que inspiró las pinturas de Luzi, en las que abundan las representaciones de monedas y de monumentos de la antigua Roma, situados en lo que después sería el Vaticano y entre los que se encuentra el propio mausoleo, así como elementos mitológicos como atlantes y cariátides. [Tras] esta restauración, quedan aún por recuperar algunas de las trece habitaciones privadas que Pablo III encargó construir a mediados del siglo XVI, en...
Cassie Sant is learning to do her own laundry, develop friendships with a fresh set of teammates and understand an offensive and defensive system in basketball that can seem so complicated that it might as well be calculus. And there's another adjustment the newest player on the University of Dayton women's basketball team is trying to make: Giving up that temptation to slack.
The President. I want to thank the good folks of Sant'Egidio for joining us. Sant'Egidio is one of the great faith-based organizations in the world. And we're here to talk about our common commitment to help the poor, feed the hungry, and help eradicate disease. United States is firmly committed to helping people on the continent of Africa.
Fans of "Mad Men" know January Jones. She plays the icy blonde beauty, Betty, who finally had enough of her husband, the mysterious and unfaithful Don Draper (Jon Hamm). They are divorced this season. Jones has been compared to Grace Kelly, and one big movie director wants to cash in on her cheekbones and blonde hauteur. Gus Van Sant, who infamously remade Hitchcock's "Psycho" frame by frame and shot by shot, yearns to redo another Hitchcock classic, albeit one that has slowly become a classic -- it was a flop at the time.
It turns out this bestial figure is, well, not exactly [Kurt Cobain], but Blake, [Gus Van Sant]'s Cobain stand-in, and the movie is Van Sant's reimagining of the "last days" of a Cobain-like rock star, marooned in a decrepit Northwest mansion, harassed and ignored by his band-mates and housemates, so stranded inside his own private Idaho that he may as well already be dead. The first parts of Last Days are poetic, almost spiritual. They extend the pantheistic vision of Van Sant's infamously plotless [Gerry], which featured two blank, anonymous men (both named "Gerry," as if to reinforce their inter-changeability) dying in nature. Ashes to ashes, Van Sant seems determined to remind us: We're animals, we're all on the road to being part of the earth, and we may as well drop our pretension...
A company that enters a contract to maintain an elevator is held to a duty of ordinary care, which is limited in scope to the confines of the responsibilities assumed under the contract. Property management company overseeing a property is not held to the same duty as the building owner and, therefore, is not held to highest standard of care. Appellants failed to prove breach of duty; summary judgment is appropriate.
COLUMBUS -- The Toledo Waite High School players focused on her before, during and after the basketball game. One of my friends who plays for Alter -- Whitney Dabbelt -- sent me a text before their game last night," Fairmont's Cassie Sant was saying. "She said you're not going to believe it, but the Toledo Waite team just walked in (to the Schottenstein Center) to watch our game, and they're wearing T-shirts that have your face on them and shows all of them around you playing defense.
The Camerata di Sant' Antonio String Orchestra, the chamber ensemble in residence at St. Anthony of Padua Catholic Church, opened its eighth season Thursday. Music Director Christopher Weber conducted music by Edward Elgar, Ernest Bloch and the operetta composer Richard Heuberger. It was all beautiful, but the Heuberger was the highlight.
The quiet new Sant Building at the Phillips Collection, which opens to the public next Saturday, does not look the way a museum is supposed to look these days. Instead, it's a refreshing exception to the trend to expand cultural institutions with self-important, assertive architecture, preferably designed by a superstar. In Washington, this "star-chitecture" has been manifested by the ill-fated Frank Gehry wing at the Corcoran Gallery of Art and the Norman Foster-designed canopy at the Smithsonian's newly named Donald W. Reynolds Center for American Art and Portraiture.
Once upon a time, there was a terrific and wildly strange American movie about two morbid people who liked to hang out at funerals and who met and fell into a peculiar form of love. Its name was "Harold and Maude," and it was made by the late, great director Hal Ashby in 1971. It starred Bud Cort, the strangest young star of the '70s, as Harold and octogenarian Ruth Gordon as Maude.
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